by UNA | 2018 27, Jul | Community event
The Dobriansky Brothers vocal trio. (Photo: Levko Khmelkovsky)
KERHONKSON, N.Y. – More than mere merrymaking, Soyuzivka’s 12th annual Ukrainian Cultural Festival was above all, a celebration of the global Ukrainian family. At the same time, this festival not only illustrated changes already in place at Soyuzivka, but also pointed to bigger transformations just around the corner for all our communities.
Thousands of guests from many corners of the world, young and old, flocked to the Ukrainian National Foundation’s (UNF) mountain eyrie in the airy heights of the Shawangunk Ridge on July 13-15. In addition to sharing ethnic pride, participants were united by deep concern over issues affecting all Ukrainians: their war-torn homeland, help for students and orphans, and finding ways to popularize their rich culture.
When two star performers could not appear due to visa issues, the festival’s tireless artistic administrator Roma Lisovich (who is also the UNF’s treasurer) arranged to fly in fiery singer Anastasia Prykhodko. Ukrainian adaptability was further tested when a thunderstorm drenched the Saturday evening outdoor show, sending the audience scurrying for cover. Yet, the resilient fans did not go home. Many sheltered under vendor tents, singing their own songs. Eventually, the concert resumed inside the Veselka Pavilion, hosted by witty TV celebrity Petro Maha of Kyiv.
“Retro Lviv” fund-raiser
On Friday evening, under a tent near the Lviv Building, an event was held that addressed the heart of the matter: questions about the future not only for Soyuzivka, but for the Ukrainian community at large. Before an audience of donors, the newly elected president of the Ukrainian National Foundation, Dr. Wasyl Szeremeta outlined the foundation’s concerns, and what its activities will mean for all of us in coming years.
“There is no place like Soyuzivka!” he declared, “Yet at the same time, Soyuzivka is much more than a recreational center. I’m from Philly. Sadly, I have witnessed organizations and properties go belly-up because communities took them for granted. When the UNF took over Soyuzivka, we were able to establish this center as a non-for-profit, where donors are now able to deduct most of the amounts they contribute. More importantly, people must realize that while Soyuzivka is one important part, the UNF’s vision must involve far-reaching plans in the areas of culture and heritage for all of our Ukrainian communities.”
Consul Ilona Lapa then explained how Ukraine’s Consulate General in New York cares for Ukrainian orphans adopted by American families. (Over the following two days, I was to have more opportunities to speak at length with Dr. Szeremeta and Ms. Lapa.)
At the “Retro Lviv” fund-raiser for Soyuzivka (from left) are: Ukrainian National Association Advisor Nicholas Fil, Ukrainian National Foundation President Dr. Wasyl Szeremeta, Consul Ilona Lapa of Ukraine’s Consulate General in New York, UNA Advisor Bohdana Puzyk and UNA First Vice-President Slavko Tysiak. (Photo: Adrian Bryttan)
Garbed in uncompromising black, pop singer Ms. Prykhodko cranked up the temperature with her silky contralto voice, belting out two songs, including “Embrace the Wings,” set to her own words and music. The popular Ms. Prykhodko had represented Russia in the 2009 Eurovision Song Contest, but in 2014 she vowed never to perform in Russia again, where she still has a huge following.
The first time she spoke Ukrainian was when she engaged a lady to teach her the language of her ancestors. Ms. Prykhodko appeared before the participants of the Maidan, actively supported a united Ukraine during Russian invasions and recently went on a tour for Ukrainian troops in the Donbas region.
Remarkably, the evening’s second performer, “Orest Lutiy,” had grown up unawares in the same Kyiv building as Ms. Prykhodko. Actor Antin Mukharsky developed the stage persona of “Orest Lutiy,” a fictitious “professor of anthropology from Stryi.”
To troll Moscow, Mr. Lutiy revels in smash-mouth songs like “Kill the Muscovite Inside You,” “O Bandera, You Ukrainian Apostle,” as well as other tunes with unprintable lyrics. (Due to his political activism, Mr. Lutiy said his family life was well-nigh shattered in 2011.) A big fan of the subversive style of the earlier Hadyukin Brothers band, he believes the counter-culture will eventually succeed in Ukraine.
Performers on the festival stage
The following day on the great outdoor stage, after the presentation of colors by Ukrainian American Veterans, the Ukrainian Dumka Chorus kicked off the concert with a series of appropriately light and festive songs, including a new arrangement by conductor Vasyl Hrechynsky.
The master of ceremonies, Mr. Maha, continued to delight everyone with his witty banter, while interspersing sincere reflections on today’s problems in Ukraine. Also featured in the afternoon show were the Dobriansky Brothers vocal trio and singer Khrystyna V. The Malvy duo of Ulana and Kalyna Leshchuk beguiled listeners with their vocals and bandura playing.
Vasyl Popadiuk demonstrated once again why he is a world-class jazz violin virtuoso, whether improvising on a soulful ballad, or off to the races with his lightning bow arm. Mr. Popadiuk, Mr. Maha, Andrij Dobriansky and Marianka Hawryluk constituted the quartet of masters of ceremonies for the festival weekend’s events.
The Roma Pryma Bohachevsky Ukrainian Dance Workshop, under executive director Ania Lonkevych and artistic director Orlando Pagan, presented its unique brand of evocative compositions, based on folk dances and structured with the elegance of classical ballet. Particularly lovely was the composition “Melodia,” choreographed by Stefan Calka.
Sunday, the final day of the festival, featured two documentary films: “Recovery Room” directed by Adriana Luhovy, which tells the story of a Canadian medical mission to Ukraine and the wounded warriors they treat; and “When we Starve,” prepared for the 85th anniversary of the genocidal famine of 1932-1933 in Ukraine, and presented by the U.S. Holodomor Committee and the Ukrainian Medical Association of North America.
Fun and games
The Ukrainian Cultural Festival weekend also offered plenty of fun and good-natured silliness. The vendors’ diverse offerings drew hundreds of guests. Meanwhile, near the Veselka pavilion, at the Ukrainian National Association’s information center in the gazebo, girls vied to have their faces painted by Shelly from Athena Entertainment. A blue-and-yellow unicorn design was the clear favorite amid the youngest set.
Not to be outdone, two guest artists from Ukraine conceded nothing in the body-painting department. Ms. Prykhodko exhibited arm tattoos: a crow, a lotus flower and a peony, plus the names and birthdates of her two children. But the supreme “Illustrated Man” was Mr. Mukharsky (a.k.a. Orest Lutiy), who claims to have carved a treasure-trove of tattoos over most of his hirsute hide; the ones visible on his arms show a likeness of his mother, a drawing of Kozak Mamai, the words “Love, Gratitude, Ukraine” and “No Slaves Are Allowed In Heaven.”
Sasha Gutmakher and a couple of competitors at the popular varenyky-eating contest. (Photo: Adrian Bryttan)
The long-anticipated varenyky-eating contest attracted cheering, partisan fans on Saturday afternoon, prefaced by Khrystyna V (who also sang on the festival stage) warbling the official contest song. Refereed tongue-in-cheek by Sasha Gutmakher, nine contestants (suspiciously, many from Ivano-Frankivsk) dove into the dainty dumplings, which disappeared deftly down their digestive ducts. When the smoke cleared, neophyte Pavlo Schyka emerged the victor. Maintaining he nibbles only modest portions back home, Mr. Schyka ruminated, “Maybe I won because I washed these varenyky down with two beers… oh, and I used my hands and fingers.” There you have it, bachelorettes – this bachelor is a real go-getter, sure to polish off anything you serve up. (Naturally, he deploys knife and fork when seated at dinner with a lady.)
And speaking of food…
Soyuzivka’s Chef “Snake”
Andrey Sonevytsky, the cheerful chef presiding over Soyuzivka’s kitchen, is a graduate of the Culinary Institute of America. Though he’s christened after Metropolitan Andrey Sheptytsky, everyone here calls him “Snake.” Since becoming head chef in 1995, Chef Snake has prepared over 1 million servings at Soyuzivka. (Confidentially, his reptilian nickname evolved when the Yonkers, N.Y., Krylati soccer coach remarked at his “snaking” around the playing field.)
For this three-day festival, the Soyuzivka kitchen staff made 20,000 varenyky (never powdered potatoes!), 800 stuffed cabbages, 700 pieces of chicken, 600 sausages, 1,200 shashlyky, 400 pounds of cabbage, 60 gallons of hot and cold borshch, and roasted 25 pounds of swordfish and 50 pounds of filet mignon. (When questioned about his velvety filet mignon, the chef replied with good humor why this particular cut should never be well-done.)
But how can anyone manage to cook hundreds of different meals daily and still serve them fresh and warm?
Mr. Sonevytsky divulged: “When cooking for large groups, the secret is to prep items ahead of time and to learn how to undercook. Once the final cooking is complete, we keep the portions warm in huge “thermoses” which can be set up anywhere on the estate grounds. You must learn to strike a balance and include extra portions just in case. My staff always enjoys any servings left over.” (No anorexics in the Snake Kitchen.)
Mr. Sonevytsky runs an efficient but happy crew under the buff lights of his subterranean galley in Main House. His assistant for 17 years, Svitlana Mycak, described all the intricate stages of prep and cooking during their sometimes 16-hour-long days. Chef Snake has catered 500 weddings at Soyuzivka and over 2,000 additional special functions, often singlehandedly. Often, he pipes in music for his workers, but always keeps a hockey stick handy for the occasional slap-shot at a rare burnt croissant (they’re made fresh in his kitchen).
Summing up, Mr. Sonevytsky said simply: “I love this place. It’s my home, not just a job.”
Just a few chairs are left as the crowd gathers for the start of Saturday evening concert. (Photo: Adrian Bryttan)
Soyuzivka today
Anyone who visited Soyuzivka 50 years ago would now be struck by many changes. According to Ms. Lisovich, the UNF’s extensive renovation program has included: Main House ($700,000), a new water tank and reservoir ($400,000), roads ($250,000). Still needed are a new barracks for children’s camps ($300,000), renovations for the pool deck ($225,000), Uzhhorod ($180,000), Odesa ($65,000), and a steam room and spa for Poltava ($50,000).
But it is not only that physical facilities have been updated. Mushrooming camp activities draw more and more participants, especially after Maidan. These include the popular Roma Pryma Bohachevsky Dance Academy, the Sitch sports camp, USCAK tennis tournaments, Plast Ukrainian Scouting Organization’s “Ptashata” day camp program, and Heritage and Discovery camps for children. There are also wellness, alternative medicine and yoga weekends, cooking workshops by the chef, and hiking. During the “off season,” local groups such as Polish Bible camp and ballroom dancing are hosted at Soyuzivka Heritage Center.
Blue-and-yellow unicorns were all the rage in face-painting at the Ukrainian National Association gazebo. Just ask Kateryna Golovko. (Photo: Adrian Bryttan)
UNF’s new president
On Saturday, Dr. Szeremeta shared more of the Ukrainian National Foundation’s hopes: “Soyuzivka is only one part of the UNF’s vision, which involves Ukrainian communities at large. The plan is to continue developing more cultural activities and for Soyuzivka to evolve into a real Heritage Center. Change is hard and slow. This has been the first summer where all the rooms have been available. But what to do when it rains? It would be nice to have a permanent performing arts center, or a chamber-size concert hall that could also be utilized by local performers and organizations.”
“We would be happy, for example, to host the Detroit Bandurist Chorus for their summer camp. Or have a series of Ukrainian artists in residence, and even our own museum and library. And why couldn’t all our cities contribute toward a centralized Holodomor museum right here? Eventually, the foundation might take Ukrainian publications under its wing as well. The important point is for the public to understand and support the wide-ranging work of this foundation.”
Maria Zhukevych hopes to win a Kindle, as Maria Drich of the Ukrainian National Association looks on. (Photo: Adrian Bryttan)
Best buddies for life
A truly heart-warming story is the attentive care devoted to adopted children at Soyuzivka. Even after they receive their new American parents, Ukrainian orphans are legally still citizens of Ukraine until they reach the age of 18. Consul Lapa manages the adoptive families program through the Consulate General of Ukraine in New York. More than merely making sure the children are safe and well-cared-for, Ms. Lapa helps arrange the annual weekend when all parents and their adoptees can meet while staying at Soyuzivka Heritage Center.
Ms. Lapa explained to me the problems facing children who previously had only lived in institutional buildings: “Their new form of life within a nuclear family can be complicated for children. It is most crucial that they feel genuine love and warmth, that their identity and self-esteem are respected and reinforced.” Indeed, several loving American families have even adopted and are raising Ukrainian children born with physical handicaps.
During these get-togethers at Soyuzivka, families participate in cultural programs: the adopted children are eager to learn of their heritage and history, and some of the language. They enjoy trying folk dances, singing songs, hearing the bandura, and creating their own vases or pysanky. Children who have attended several of these annual events look forward to seeing their friends from previous years. Many become soul-mates and buddies for life.
Only a small sample of Orest Lutiy’s personal tattoo collection. (Photo: Adrian Bryttan)
Student workers from Ukraine
Volunteer Bohdana Puzyk, who is an advisor on the Ukrainian National Association’s General Assembly, has been Soyuzivka’s liaison with the U.S. State Department, coordinating Ukrainian students who arrive for summers on Work and Travel permits. About 20 students annually are admitted via this program. Each is responsible for registration costs and airfare, but after a summer’s work, students can pay off those fees and still have enough left to finance one year of college education back in Ukraine.
Third-generation Ukrainian, lifeguard Patrick Monks resides with the Ukrainian students, and told me many speak four or five languages and are very hard-working. During their free time, students travel to sightsee America. Worker success stories include a local Ukrainian girl who married a boy from Dnipro; both are now successfully employed on the West Coast. Others have also made arrangements to remain behind legally, in order to study for careers in medicine and photography.
Another success story is that of Miss Soyuzivka 2018 Bella White, a Ukrainian orphan from Odesa adopted by a Pennsylvania family. She plans to study linguistics in college. Ms. White explained: “I first visited Soyuzivka three years ago as a guest; I liked it so much I signed on to work for the next two summers. Here you learn responsibility and leadership. In general, America is amazing. The first time I went to a grocery store, I couldn’t understand why folks smiled at me. People were so nice and helpful, and even if you don’t know them, they’ll help you.”
Tension mounts as the varenyky-eating contest is about to get under way. (Photo: Adrian Bryttan)
More than a great festival
There’s festivals… and then there’s festivals. To underscore this point, I’d like to add a bit of historical lore.
Just under 30 miles via County Road 3 from Soyuzivka lies Woodstock, site of the “legendary” 1969 mega-event that hosted a six-months-pregnant Joan Baez, a rain-drenched Ravi Shankar and a wacked-out Jimmy Hendrix, just one pluck away from exploding his psychedelic guitar, spazzing his way through the national anthem.
For thousands of Woodstock’s attendees it became a massive, teeming, squalid nightmare: traffic jams, reeking portable johns, scorched eyeballs and tons of resulting garbage. But, as we’ve been told, it was peace, love, music – that sort of thing. Yet even now, people are still wondering just what the heck was all that fuss about?
By contrast, in coming years the annual Ukrainian Cultural Festival and Soyuzivka itself have the potential to evolve beyond a unifying hub for North American communities and emerge as a vibrant cultural and heritage center for all Ukrainians. That is, provided everyone gets behind it and supports the UNF. If we succeed – wow! That’ll be just outtasight!… Peace.
by The Ukrainian Weekly | 2018 26, Apr | Community event
PARSIPPANY, N.J. – Earlier this year, Svoboda Press released the Almanac of the Ukrainian National Association for 2018, which is dedicated to the centennial of the Ukrainian Revolution and the establishment of the Ukrainian National Republic.
The Ukrainian-language volume’s editor is Petro Chasto, a longtime member of the Svoboda editorial staff who has been in charge of the successful Almanac projects since the year 2000, always finding fascinating topics and authors for readers’ enjoyment.
This year’s Almanac begins with a chronicle of the historic events of 1918. That is followed by an article about the momentous Battle of Kruty and poetry dedicated to the heroes of Kruty.
Other noteworthy articles focus on the Crimean campaign of the Ukrainian National Republic’s army and the biography of Hetman Pavlo Skoropadsky. There are excerpts from the memoirs of Dmytro Dontsov, a Ukrainian nationalist writer and political thinker (1883-1973). Mr. Chasto is the author of an article about the year 1918 on the pages of the Svoboda.
Other historic events whose anniversaries are noted in the 2018 Almanac include the 370th anniversary of Hetman Bohdan Khmelnytsky’s fight for the Ukrainian nation’s independence; the 170th of the “Spring of Nations” in the Austro-Hungarian Empire; the 100th of the November 1 Act in Halychyna; and the 310th of the massacre at Baturyn.
The 272-page Almanac also includes monthly religious calendars for 2018, in both Julian and Gregorian versions, as well as a section of interesting miscellany titled “Good to Know.”
The cover design is by Ihor Pylypchuk.
It is noteworthy that the Almanac is a fund-raiser for the Svoboda Press Fund. This year marks the 104th year that this annual volume has been released.
The 2018 Almanac was mailed to subscribers of Svoboda. Copies of the Almanac are available for $20 from: Svoboda, 2200 Route 10, P.O. Box 280, Parsippany, NJ 07054. Please note: checks should be made payable to UNA Publications.
